Rabu, 24 Mei 2017

Download Ebook , by Christopher Gidlow

Download Ebook , by Christopher Gidlow

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, by Christopher Gidlow

, by Christopher Gidlow


, by Christopher Gidlow


Download Ebook , by Christopher Gidlow

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, by Christopher Gidlow

Product details

File Size: 390 KB

Print Length: 96 pages

Publisher: The History Press (September 16, 2011)

Publication Date: September 16, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0078XH9CO

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Amazon Best Sellers Rank:

#601,463 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a good glimpse into daily life at the court of King Henry VIII. It explains the way the entire court (sometimes consisting of 1,000 people) moved and settled in at any one of the palaces (Greenwich, Westminster/Whitehall, Hampton Court, Woodstock, Richmond, Eltham, and Beaulieu). Gidlow shows us how the Eltham Ordinances, written by Henry's all-powerful Lord Chancellor, Cardinal Thomas Wolsey, gave the rules, procedures, and protocols that every courtier was expected to obey. These ordinances gave a formal structure to the way the royal household was conducted - all the way from the scullery to the people allowed into the Privy Chamber.This short book covers a typical day at the court starting just before sunrise and ending late at night when the clerks in the Compting House cast up the daily accounts. It's a fascinating read and I would recommend it for anyone who plans to read Hilary Mantel's Wolf Hall and Bringing Up the Bodies. For me, it added some texture and gave me a little better understanding when I read those two great novels.Gidlow also touches on some of the political machinations in Henry's court (especially those concerned with Ann Boleyn) but really gives us an insight into the way the palace was run.He writes without embellishment and the book is a pleasure to read. The language is simple and clear and is suitable for early teens up through adults. It's a fine read.

All the gory details of bathrooms, dining and etiquette for Tudor palace life. Eating in shifts, who sat where, who slept where, and sanitation. I read once that the royal party moved from palace to palace when the places got too putrid after a lot of partying. Maybe, but this book didn't say. They did say that an advance party would go out to an area and secure victuals, at a fixed price, otherwise, the increase in population due to the royal entourage would cause local food prices to soar.The king (Henry) hunted from dawn to dusk. Other amusements were dancing, music and games. Candles were expensive--so people rose and went to bed with the sun, but some servants had to light their way by tallow and beeswax candles. The kitchens used young men to turn the spits for the many roasts. Meat was a big part of the diet. Your rank determined if you ate coarse brown bread or fine white bread (manchet.) A strange and unfamiliar life--very interesting reading

I enjoyed reading this little history book, and I learned things I hadn't previously know. For instance, I knew that Anne Boleyn had been executed on trumped-up charges of adultery, and that she had lost favor by failing to produce a son, but I didn't know that she joked with Henry's Gentlemen and mocked the King on the size of his underwear, which probably wounded his delicate pride. I also hadn't known what a dangerous place the palace would have been for the courtiers. I didn't know that one lady in the court was imprisoned for asking, "How many wives will he have?" I hadn't known what lodgings were like for nobility, or how the king's and queen's apartments were arranged, or how the daily activities of the servants were organized. All of that was very interesting to me.I rather wish that the author had included a list of suggested reading for those interested in knowing more. This history was just a morsel. Also, I wanted a bibliography. Sometimes when I was reading accounts of specific conversations that supposedly took place, I wondered, how does the author know that this happened? Who reported it? Who wrote it down? And how was the account preserved all these centuries? Sometimes when I'm reading things I've never heard before, I want to know the source of the information, or at least another historian to go to and obtain more information for myself. This author didn't provide that, which surprises me because he is an educated man, and he knows that part of higher education is learning to question everything and to gather more sources of information that support his statements.In all, it was a solid effort. The author did a good job of writing in a conversational style, and as much as I wanted a more academic approach, I still appreciated that this didn't read like a history book. It's very brief, which is fine, but I wish there had been a recommended reading list for those interested in knowing more. I paid $0.99 for the Kindle version, and I'm pretty satisfied with what I got for my dollar. I'm more fascinated with this man and his wives and families than ever.

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Rabu, 10 Mei 2017

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File Size: 2701 KB

Print Length: 238 pages

Simultaneous Device Usage: Up to 4 simultaneous devices, per publisher limits

Publisher: Cambridge University Press (November 27, 2003)

Publication Date: November 27, 2003

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B001H0G5II

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Amazon Best Sellers Rank:

#1,100,392 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

A delightfully insightful look at a master at his best.Charles dickens is now and by far my favorite English author.

"Dickens on Screen" is a miscellanious collection of writings about the film/TV adaptations of Dickens, of which contents go as below:INTRODUCTION: John GlavinPART I 1 "Dickens, Psycoanalysis and film: a roundtable": Gerhard JosephPART II 2 "David Copperfield' home video": John Bowen 3 "David Lean's 'Great Expectations'": Regina Barreca 4 "'Great Expectations' on Aurtralian television": John O. Jordan 5 "Dickens' 'The Signalman' and Rubini's 'La Stazione'": Alesandro Vescovi 6 "Bill Murray's Christmas Carol": Murray Baumgarten 7 "Screen memories in Dickens and Woody Allen": Robert M. PolhemusPART III 8 "Writing after Dickens: the television writer's art": John Romano 9 "Directing Dickens: Alfonso Cuaron's 1998 'Great Expectations'": Pam Katz10 "Playing Dickens": Miriam MargoylesPART IV11 "Cinematic Dickens and uncinematic words": Kamilla Elliott12 "Dickens, Eisenstein, film": Garrett Stewart13 "Orson Wells and Charles Dickens 1938-1941": Marguerite Rippy14 "'David Copperfield (1935)' and the US curriculum": Steve J. Wurtzler15 "Dickens, Selznick, and 'Southpark'": Jeffrey Sconce16 "Tiny Tim on screen: a diabilities perspective": Martin F. NordenPART V "Dickens composed: film and television adaptations 1987-2001": Kate Charnell Watt and Kate LonsdaleBecause of the space, I do not write here any in-depth summery of each writing. I only add that: 1) PART I is a record of conversations by the people from three fields (film, Dickens, psychoanalysis), including contributors, done after their watching the clip of Lean's "Oliver Twist." 2) PART 2 and 4 cover the various topics about Dickens and films. The titles are, however, sometimes misleading (# 6 essay is actually not about this talented American actor). The final results vary from impressive to mediocre (the fate of any kind of essay collection). Some are quite insightful, but I am afraid some others indulge in academic theries (call it a sea of jargon). See the title, pick it, and give it a chance.PART 3 is most interesting (to me), but, alas! not so long. In # 9 Pam Katz tells us the inside story of how Cuaron's modernized version came to be what it is now, with several comments from the director himself. It is quite fascinating to know that Ms Paltrow's Estella was supposed to have a job (what was it? Read and find it.) And the interview with the great Margoyles is not to be missed, who gives a quite frank (and often funny) accounts of her visions about Dickensian world, and her works (she is famous for playing one Dickensian character on stage, and you know who).The last PART 5 is a filmography, but sadly, it is not perfect. I do not lament the loss of "Ms. Scrooge" ("A Chrismas Carol" of PC era). But I was shocked to see they omit 1922 Jackie Coogan version of "Oliver Twist" from the list when they use one of its stills on the book jacket! This must be remedied right now. And unaccountably, while # 16 essay refers to the 1935 version "Scrooge," the filmography again forget to record it. And please remember, the 1997 verions of "Oliver" stars Elijah Wood, one of the stars of "LOTR." (Haven't they seen this fantastic trilogy yet?) Michael Pointer's superb filmography (or IMDB) is still indispensable.The collection, to me, lacks the central topic, or pivot on which the whole book should be constructed, being too miscellanious. Some part are great, I am sure, but I still do not know why they made this collection. Maybe my lukewarm reaction reflects the difficulty of writing about the two types of media -- book and film -- at the same time.

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